Passion bronze drums!


This website is dedicated to the bronze drums of Southeast Asia and China. It's a tool for the general public, specialists but also governments around the world for education and fighting against traffics.

Following extensive travel and research, Jacques de Guerny published the book ‘Bronze drums of South-East Asia’. With his permission, we attempt to extract  from it, the substantive truths.

The Book

English talk

The Bronze Drums' Odyssey - Trailer

How to protect bronze drums against traffic?


The third week of June 2019 was very busy for ASEAN, the body created by eleven independent Nations of Southeast Asia. Their political Heads met in Bangkok where, in parallel, cultural experts - mainly archaeologists - exchanged views and plans under SEAMEO - SPAFA umbrella (SPAFACON 2019).

At that occasion, Dr Jacques de Guerny, French author of a recent book about "Bronze Drums of Southeast Asia", was invited to deliver a speech about the urgent Protection to be given to these wonderful instruments which until now inspired and covered the Region during twenty five centuries before to be victim of a growing "black market".

Introduction by Jacques de Guerny

The Bronze Age was born when technical progress to make alloys from copper and to produce sufficiently high temperatures were successfully achieved, first in the Middle East and then in China during the second and the first millennium BCE and soon in Southern Asia. This progression occurred at the end of the so-called last Neolithic age with the beginning of sedentary agriculture and stronger hierarchies governing villages rich enough to implement innovations.
The first bronze products were only copies of the most useful tools existing in stone or bone or wood: axes, arrows, hooks, kettles … In a second step, bronze artefacts involved ‘higher’ goals, going from profane jewelry, bracelets, collars, rings, up to possibly religious purposes with the birth of a kind of ‘ceremonial bronze family’ of sculpted urns or bells or gongs or drums. Dedicated to Southeast Asia, bronze drums were globally composed of a circular top so-said tympanum or tympan covering a near-cylindrical hollow base or mantle­ with a lot of synonymous words depending on the regions or times. (Fig.1)
Bronze appeared ideal to make stronger and more durable drums, bestowing prestige on their owners and their devotees often with totemic sculpted images such as frogs to possibly beg for rain or other designs. By so doing, humans gave drums new missions, not only to emit sounds, maybe impressive like thunder to intimidate the enemy or to catch the favourable attention of any spirits, but also as a reminder of crucial values. Possibly they became a kind of go-between from humans to Gods-tools to communicate with the other worlds and primarily ancestors with drums or part of them put in tombs to escort the deceased. Consequently, their study must not only record technical evolution from their origins, to be discussed, but also ethical aspects, usages, and trade-never forgetting their evident beauty.
To try to find final opinions, and avoid too many errors in absence of writings, archaeology must be helped by other disciplines such as geography, history, along with linguistics and sociology of the regions under examination.

“ Be that as it may, drums were part of the final sophistication of the Bronze Age in Asia, avatar of one of the oldest musical instruments ever created and popular until now in human lives and beliefs. Therefore, fascinated, I decided to investigate the ‘Bronze Drum Case’ not only to consider the existing studies but to visit all specific countries involved, with the help of the best scholars and local people. My purpose was not to write a new thesis but to relate, as objectively as possible with simple words, a wonderful but until now little known story if not odyssey. To give to the readers and maybe visitors some keys to understand and hopefully join me to become a Bronze Drums’ lover ”.


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All texts, photos, videos (except explicit mention) are the property of Jacques de Guerny (if not specified). They are protected by the law No. 92-597 of 1st July, 1992, on the French Intellectual Property Code. They may not be copied or exported without written permission. For any request, use the Contact page.